Archive for June, 2009

Harvard Research on Zombies

Dawn of the Dead

Mark Strauss – Smithsonian

   In Night of the Living Dead, zombies are brought back from the dead by a “mysterious force” that allows their brains to continue functioning. But how exactly does a zombie brain function? Finally, a Harvard psychiatrist has the answers.

   Through education Dr. Steven C. Schlozman is an assistant professor of psychiatry at Harvard Medical School and a lecturer at the Harvard School of Education. He is also an avid sci-fi and horror fan – and, apparently, the world’s leading authority on the neurobiology of the living dead. He has even drafted a fake medical journal article on the zombie plague, which he calls Ataxic Neurodegenerative Satiety Deficiency Syndrome, or ANSD (the article has five authors: one living, three “deceased” and one “humanoid infected”).

   Schlozman’s foray into necro-diagnostics began when he volunteered to give a talk for the “Science on Screen” lecture series at the Coolidge Corner Theatre in Brookline, MA. He conducted extensive research by talking with George Romero and immersing himself in genre literature and memorabilia – which is why the alternate title for his lecture is “A Way Cool Tax Deduction for a Bunch of Cool Books, Action Figures and a Movie.”

So yes, Schlozman’s lecture is actually quite funny, and liberally sprinkled with other pop culture references including Buffy the Vampire Slayer and Firefly. But the underlying science is serious. His lecture is a tour of the human brain, using the living dead as a narrative theme.night_of_the_living_dead_

According to Dr. Steven C. Schlozman, this is your brain on zombies:

The Frontal Lobe

   This part of the brain is involved with “executive functioning” – enabling us to think carefully and solve problems in an abstract way. Clearly, there’s not much going on there if you have the misfortune of being afflicted with living deadness. But we do know that zombies can see us and sense us. Schlozman concludes that zombies possess just enough frontal lobe activity to “listen” to the thalamus, through which sensory input is processed.

But the frontal lobe function most relevant to understanding zombie behavior is the control of “impulsivity”-the general term for when you do something and, if you had two more seconds, you might not have done it. For instance, if in a fit of rage you have the sudden urge to punch your boss in the face, the frontal lobe intervenes and allows you to consider why that might be a bad idea.

The Amygdala and Anterior Cingulate Cortex

   Absent a properly functioning frontal lobe, a zombie is driven entirely by base emotions – such as rage – that are housed in the primitive parts of our brain, notably the amygdala. There’s precedence for this in nature. A crocodile brain, for instance, is mostly driven by the amygdala. Researchers have confirmed this by introducing lesions into the amygdala of animal specimens: the result is a drop in the attack and retreat response that correlates significantly with the amount of damage that’s done to that region of the brain. A crocodile without an amygdala isn’t really a crocodile. As such, Schlozman argues, “you can’t really be mad at zombies, because that’s like being mad at a crocodile,” adding that it’s the delicate balance between frontal lobe and amygdala “that makes us human.”

That balance is maintained by the anterior cingulate cortex, which modulates and dampens the excitability of the amygdala as it talks to the frontal lobe. So, when the amygdala gets all stirred up by fear, anger or lust, the anterior cingulate cortex steps on it a little bit, giving the frontal lobe time to think everything through before it sends signals toward the motor cortex and we act upon those impulses.

A zombie would have a dysfunctional anterior cingulate cortex, rendering it unable to modulate feelings of anger. The result? Hyper-aggression.

28_days_later

The Cerebellum and the Basal Ganglia

   Science may once and for all settle the heated debate over whether “the infected” in 28 Days Later could be classified as zombies.

Schlozman says “no,” observing that “the infected” possess “some sort of higher cortical function going on that allows them to hunt humans.” Moreover, the fake zombies in 28 Days Later exhibit fluidity of motion. They can run, jump, climb and quickly change direction-activities that the true Romero zombies are incapable of performing.

Clearly, zombies suffer from cerebellar and basal ganglia dysfunction (duh!). Those are the parts of the brain that make fluidity of motion possible. The basal ganglia helps us with coordinated movement. The cerebellum helps us with balance. In fact, if you visit the website of the National Institutes of Health and read about cerebellar degeneration (such as ataxia), the symptoms match the familiar gait of the living dead: “a wide-legged, unsteady, lurching walk, usually accompanied by a back and forth tremor in the trunk of the body…”

Mirror Neurons

This is recent, cutting-edge research in the field of neuroscience. Schlozman describes mirror neuron theory as a “neurobiological model for empathy, which suggests, in a very hopeful way, that we might be wired to connect with one another.” Regions of the brain are recruited in response to social interactions in which we watch and thus experience the experiences of the “other.”

   As a press release issued by the European Science Foundation explains it: in

Just as the same mirror neurons fire when observing and doing certain tasks, so other mirror neurons may be triggered both when experiencing a particular emotion and when observing someone else with that emotion.

zombie news at GoreMaster.com

   But, Schlozman asks, what if the things we’re fighting have brains that are incapable of connecting? In response, we disconnect from each other. Schlozman quotes a veteran of the Battle of Yonkers in the book World War Z: “Shock and Awe! But what if the enemy can’t be shocked and awed? Not just won’t, but biologically can’t?”

   At the Battle of Yonkers, the humans hit the zombie horde with everything they’ve got. But the zombies keep coming. They don’t look scared. They don’t look excited. They don’t look enraged. And that actually freaks out the humans more than anything else, prompting the humans to turn on each other.

   Schlozman suggests that mirror neurons also help explain the popularity of the zombie genre among the living. While watching these movies, “we like the permission to look at these things that look human – but aren’t human – and have utter and complete permission to blow their heads off.” In other words, we get off on the thrill of guiltless violence. We enjoy a brief vacation from empathy, and take our crocodile brains out for a spin.

By way of example, I came across an interview with actor Mike Christopher Berhosky, who played the iconic Hare Krishna zombie in the 1978 movie, Dawn of the Dead. Berhosky describes the audience reaction to the film’s screening:

I got bashed in the head and everyone CHEERED. Took the wind right outta’ my sails. Everyone hated the Hare Krishna devotees for their incessant pestering and swarming them at the airports and such….Killing off my character had the effect of releasing a lot of pent up frustration….bashing in the Hare Krishna zombie’s head was much more than getting rid of another pesky zombie…it was VENGEANCE.

day of the dead

But the fun lasts only up to a point. As the movies progress, Schlozman says, we start to feel uncomfortable with the loss of our humanity-that we are “so willing to forsake those mirror neurons.”

The Ventromedial Hypothalamus

In the movies, zombies are always hungry, no matter how many supporting actors they consume. The most likely explanation is that zombies don’t have a properly functioning ventromedial hypothalamus: the region of the brain that lets you know whether you’ve eaten enough. The result is hyperphagia. Zombies will eat and eat and eat, but never feel satiated.

That raises a slightly awkward question: If zombies are constantly eating, then how come they never poop?

Schlozman doesn’t know for sure, but he has at least one promising theory: Maybe the living dead are constipated.

Now we know why zombies are always moaning.

Goremaster Book

Megan Fox

Megan Fox

   Of all the female stars of today, “Transformers” leading lady Megan Fox must be the most sought-after right now, despite not having yet proven her real worth to the world as Fox herself was saying just the other day. She reportedly passed on Lara Croft in “Tomb Raider” and She-Hulk, and she considers Wonder Woman lame, but a very persistent rumor says she’s about to get physical with vampires in the upcoming “Buffy the Vampire Slayer” film, IGN reports.
   As we also informed you a while back, a new Buffy film is now in the works, aiming to separate itself both from the original 1992 movie and the cult television series that followed it. Joss Whedon, who acted as creator of the TV series, is not connected to the film in any way, the Kuzui spouses being the ones handling all aspects of the remake. On this note, rumor has it the Kuzuis want Megan Fox as the beautiful and deadly vampire slayer, just like any other movie boss in Hollywood.

   Producer Roy Lee, while not downright denying the report, insists that, although going after Fox for the part would seem the logical step right now, the film is still in early development stages and a leading lady is not yet an issue of main concern. His statement to IGN can be seen as a denial for the above-mentioned rumor but, at the same time, it can also be regarded as a confirmation that Fox might be an option they will consider in the future, several movie-oriented publications point out.

   “The rumors of Megan Fox being involved with Buffy are just rumors. As with any film project with a female lead under the age of 30, Megan is the actress that most studios want so it is no surprise her name is mentioned. While I think she would be great for our project, we are still in the early stages of developing the script.” Lee tells IGN. What this means is that, while they’re not thinking or speaking to Fox about doing Buffy right now, the chance that they might do so in the future is actually pretty good.
   The new “Buffy” film aims to return to square one, as we were also telling you a short while back, distancing itself from the TV series that turned the slayer into a genuine icon. Should reports in this sense be accurate, the upcoming film will most likely include more than one slayer and clearly none of the characters the series made so popular (like Xander and Willow, to name just two). For more on this, keep an eye on this space. 

Vampire News at GoreMaster.com

N.Y. indie film studio launches!

Reuters
Two New York financiers have launched an independent film company to make and sell low-budget movies in a tight U.S. market that has seen hard times for two years due to competition, slowing DVD sales and a lack of fresh money.
Mary Dickinson and Charlene Fisher unveiled DF Indie Studios late Friday to eventually produce 10-12 films annually with a production cost of $10 million or less. They plan to guarantee distribution in the U.S. and Canada, backed by what they say is $150 million in equity financing.
DF Indie Studios (DFIS) has the support of big-name movie makers such as brothers Tony and Ridley Scott (“Gladiator”) and independent film veterans Ted Hope and Anne Carey. (“Adventureland” and “In the Bedroom”).
“We’ve been amazed to see the competitors in our budget range have pretty much disappeared,” Dickinson told Reuters.”That’s why we’re excited about this time period,” added Fisher. “We see it working in our favor.”
Dickinson and Fisher plan to usher low-budget movies from script through production, editing, marketing and distribution, and they believe they are entering the market for art house flicks at a low-point after many studio players fell on hard times starting in late 2007.

Free GoreMaster.com Newsletter

Many independent film producers making contemporary art house films like Oscar winner “Slumdog Millionaire” hope to sell their distribution rights at festivals like Sundance. But DF Indie Studios vows to self-distribute movies they produce.
Currently many of the specialty divisions of major studios, such as Twentieth Century Fox’s Fox Searchlight or Universal Pictures’ Focus Features and even major independent companies like Lions Gate, routinely crank out films at a cost of $15 million to $30 million and more.
But with a production cost of less than $10 million, DF Indie Studios hopes to hit it big with movies more in the vein of a “Napoleon Dynamite,” which was a festival favorite before hitting mainstream success.
But DFIS comes into the market at a difficult time after a glut of low-budget movies met keen competition about two years ago, causing several indie companies to fail in 2008, a trend that continues this year.
Moreover, declining DVD sales have cut revenues and digital downloads remain a future uncertainty.
Still, Dickinson and Fisher could be entering the market poised for an uptick. At May’s Cannes film festival, many major players said they were starting to see signs the glut of movies easing and that late 2009 and 2010 could mark a turning point.
Like others, Dickinson and Fisher also noted that amid the recession, theater ticket sales were currently on an upswing as people were flocking to theaters for cheap entertainment.

Learn Makeup Effects!

GoreMaster Book

Jim Carrey and the New Mr Limpet

The Incredible Mr Limpet

By Steven Zeitchik – Hollywood Reporter          

Kevin Lima will direct an update of the 1964 film

   The “Enchanted” director is attached to helm Warner Bros.’ update of “The Incredible Mr. Limpet,” a story about a man who turns into a talking fish.
   Don Knotts starred in the studio’s 1964 original, which centered on the title character, an otherwise bland sort who after his transformation becomes a World War II hero when he helps spot and thwart enemy warships for the Allies.
   The picture was a live action-animated hybrid, with Arthur Lubin directing the live sections and Robert McKimson helming the animated parts.
   The new project, which also will be a live-animated blend, has been through several iterations, with Robin Williams and Jim Carrey among the stars for whom it previously had been developed. Mike Judge was at one point attached to direct.
   Akiva Goldsman, Bill Gerber, Paula Weinstein and James Lassiter are producing, with Chris Chase producing. Greg Silverman is overseeing for the studio.
   The WME-repped Lima is attached to several Warners projects, including the period sorcery tale “The Spook’s Apprentice” and the studio’s update of Tom Thumb, titled “Thumb.” He’s also on board to direct Universal’s big-screen version of “Candyland.”
   This project would be another in the latest round of live-animated hybrids that began when Fox turned “Alvin & the Chipmunks” into a hit in 2007.
   Warners has several such projects in development, including a Yogi Bear update. Lima is considered one of the more respected practitioners of the form, with “Enchanted” and “Thumb” falling in the live-ani category.

newsletterbanner

True Blood lives!

[youtube=http://www.youtube.com/watch?v=bLkQnotUD7g]

 

April MacIntyre – MonstersandCritics.com

   HBO’s series “True Blood” was ahead of the current vampire curve, before the success of “Twilight” and the sequels for the teen crowd. 

Personally, I like my vampire tales bloodier, along the lines of “30 Days of Night,” but filmmaker and writer Alan Ball has an art department sensibility about him that makes the erubescent written script of his southern gothic tale of Louisiana small towners a visceral thrill ride, despite the languid humidity of the setting.

   Ball’s erotic drama is tinged with humor, and set in the fictional town of Bon Temps, Louisiana.  His series is based on the Sookie Stackhouse novels by Charlaine Harris. 

The second season sees some interesting developments, to which Ball has asked critics not to reveal plot points and spoilers, which will be honored.

   The feeling and tone of the second season, (four episodes viewed) is similar to the juxtaposed, jarring imagery of the opening of the series.  Grotesqueries and glamour, seediness and fervor; the season will not disappoint die-hard fans. 

Ball’s own southern roots are transparent in his story editing and words, and his sense of humor by incorporating today’s cultural icons like Joel Osteen and his wife in his characters Rev. Steve Newlin and his blonde wife, is appreciated.

   Merlot’s surly bartender Tara (Rutina Wesley) emerges as a more engrossing character to me than star Sookie (Anna Paquin), so far.  Tara’s role is heightened in this run, and she is scene stealer whenever in frame.

Another delightful addition is the wicked Maryann, played to the hilt by Michelle Forbes.  This character poses to be the most interesting wildcard of the second season, and again, Ball is masterful at painting strong female villains and heroines, fleshed out and genuinely compelling.  Her scenes are riveting.

 vampirenewsbanner

   The new 12-episode second season features telepathic Sookie and her genteel 173 year-old ice-cold vampire beau Bill (Stephen Moyer) in deep, lustful love, but the knife’s edge that Sookie rests makes for a percolating story of mismatched affection. The vampires and the humans are Ball’s Sharks and Jets, and there will be blood.

The Bon Temps cast of characters includes Sookie’s somewhat dim but very fit brother Jason (Ryan Kwanten), who is sucked in to a vampire-hating Christian sect, Fellowship of the Sun.

   Another wonderful character to savor this season is Eric, (Alexander Skarsgård) the uber vampire who is concocting many evil schemes and is a continuing nemesis to Bill.

Ball has artfully blended gore, romance, humor and horror into a modern day “Dark Shadows,” with cliffhangers and a dash of camp.  Ball’s crew that films the series have delivered exceptional work.

   Ball’s art department is headed by three amazing women - production designer Suzuki Ingerslev, art director Catherine Smith and set decorator Rusty Lipscomb – Ingerslev and Lipscomb also working with him on the masterful HBO series, “Six Feet Under.” Makeup department head Brigitte A. Myre does top notch work along with effects Makeup producer Dan Rebert and the Mastersfx shop crew.  Gary Calamar and his team shine in music supervision; the show has a rocking soundtrack and always closes with a great song.

   Another thing to look forward to is the casting of Evan Rachel Wood as the vampire queen of Louisiana.

Little Shop of Horrors Remake

Little Shop of Horrors

   Fangoria

   Director Declan O’Brien talks up his eagerly awaited sequel WRONG TURN 3, now subtitled LEFT FOR DEAD. The filmmaker shared the details of where fans will be able to check out the latest adventures of the bloodthirsty redneck mutants.
   “I just heard before I came to New York that it has been accepted by London’s FrightFest, and it will debut there in late August,” O’Brien (pictured) tells us. “That’ll be the world premiere, and then I think—though I’m not 100 percent positive—that we’re going to be at Los Angeles’ Screamfest after that.”
   As for WRONG TURN 3’s disc debut via Fox Home Entertainment, the street date is tentatively set for October 20. “I’ve already done the special features,” O’Brien says. “I did a couple of onscreen interviews talking about the production and the process and the huge disasters that happened [during shooting in Sofia, Bulgaria], and it’s pretty funny. I did not do a commentary track because my editor was out of town and I really wanted to do it with him, and I didn’t think doing it by myself would be fun. Maybe when it sells a gazillion copies and we rerelease it, I’ll do a commentary. There will also be two full scenes that I cut out of the film.”
   Rest assured, however, that none of the creative mayhem that has been the WRONG TURN series’ forte was trimmed from the new sequel, which pits the backwoods killers against a group of escaped convicts and will be issued unrated. “It’s as nasty as they come,” promises O’Brien, who adds that the Fox brass never put any restrictions on how far he could go with the gore. “They asked me if I could do more,” he laughs. “So I tried to think up really scary, unusual ways to die. We did my homage to the impaling scene in CANNIBAL HOLOCAUST, only with a big fat sheriff in uniform instead of a beautiful naked woman. I thought that would be funny.”GoreMaster Makeup Effects Manual
   There won’t as much humor involved in one of his future projects—despite it being based on a classic horror/comedy—which stemmed from his stint helming the Sci Fi Channel flick CYCLOPS for Roger Corman. “I’ve done a deal with him for the rights to LITTLE SHOP OF HORRORS, and the remake is in progress right now,” O’Brien reveals. “I’m basically going to do it as a horror film, which is going to upset a ton of people who loved the musical—and that’s what made Roger excited. He was like, ‘You’re really going to piss them off,’ but he liked the take—he thought it was very, very smart. We’re trying to find financing for it now.”
   O’Brien, whose Sci Fi credits also include the well-regarded ROCK MONSTER, has another genre opus on his plate as well. “I’m working on a script right now called HOMECOMING [no relation to the Mischa Barton-starring July release]. It’s a horror film set in upstate New York, in a high school much like the one I went to. So it’s all about working out my traumas from those days. It’s a slasher film, and it’s definitely dark.”

goremaster

The evolution of Zombies in games

livingdead

The Examiner

   For some time now, modern literature and film, have been constantly redefining exactly what a zombie is.  Its not even necessary for a zombie to be the living dead anymore.  Several incarnations, as of late, revolve around  rabies-like infections that cause extreme rage.  Other zombie tales follow a completely living person who is simply devoid of personal choice (after all, one of the definitions for zombie reads: a person whose behavior or responses are wooden, listless, or seemingly rote; automaton.)  Notice the first definition (which is what we generally think of when we hear the word zombie) describes a zombie a being as mute being, which is hardly what we picture when we think of undead hordes.  Whats the last movie you saw  where the zombies didn’t yell, moan, or outright scream for brains?  Indeed, current media is changing the idea of what a zombie is.  Even video games are making their mark and rewriting our thoughts on what, exactly, can be perceived as a zombie.

   Gone are the days that a zombie must simply rise out of the grave or have been slain only to rise again such as the ones found in Dead Rising, Left 4 Dead, and classic Resident Evil titles.  Below I will discuss a few modern games that have a new twist on what should be considered zombies.

   Rather than a simple reanimation of human corpses, many zombies are a result of a parasite, or a completely second life-form, that attaches itself to a living human host and controls his actions.  The subject usually becomes stronger and may eventually die during the process, but they usually show signs of still being alive initially, even after becoming zombified.  Often times the controlling parasite is cognitive and has a goal.  Bear in mind that this makes the host body no less of a zombie than a corpse being controlled via black magic, as in necromancy.   The Flood in the Halo series fits this genre as do Head-Crabs in Half-life.  Another example of a Parasitic Zombie are the Las Plagas/Ganados/Majini from Resident Evil 4 and 5. Mass Effect had a similar concept with the Thorian, which was an ancient…plant (yes, a plant) that was able to control people’s thoughts through its spores.  Eventually the hosts would deteriorate into mindless, and aggressive, ”Thorian Creepers”.  Mass Effect also featured a second form of zombies that were creations of the Geth called “Husks”.  The Geth, who were advanced robots themselves would take humans and “upgrade” them with physical and neural cybernetics that controlled the host.  Think of a Husk as a robotic version of a parasitic zombie.  The last pseudo-zombie i want to talk about are ghouls from the Fallout franchise.  Standard ghouls may look like zombies but the fact is that they are just so disfigured from radiation that their bodies are literally rotting.  Most ghouls behave just like you and me.  However, eventually a ghoul’s brain will begin to deteriorate just like the rest of them.  When this happens the lose their memories and reason and become animalistic.  While they might not be dead and are, in effect,  just crazed people; a feral ghoul will behave exactly like a zombie and must be treated as one; you’d better shoot ‘em in the head

goremaster.com

Shakespeare Goes Zombie!

[youtube=http://www.youtube.com/watch?v=NSO67LmyhgA]

PRNewswire

   Among the twenty-three world premieres to be unveiled at the 63rd Annual Edinburgh Film Festival, there is one title that can not help but to catch the eye: Romeo & Juliet vs. The Living Dead. The low-budget independent film aims to be the word-of-mouth hit at Edinburgh that Colin, the famed $70 zombie film, was at this year’s Cannes Film Festival.

   Romeo & Juliet vs. The Living Dead appears to be the first in a wave of horror/classic literature mash-ups. Recently, development has begun on films such as Pride and Prejudice and Zombies and, another Austen parody, Pride and Predator. The latter is produced by Elton John’s Rocket Pictures.

   The Shakespeare parody is the debut film by director Ryan Denmark, who has worked for the last six years as Spike Lee’s associate editor on films such as Inside Man and Miracle at St. Anna. Produced in Albuquerque, New Mexico, Denmark’s take on this tale of star-crossed lovers both embraces and reinvents Shakespeare’s classic text.

   “The idea for the film is Juliet, of noble Capulet birth, falls in love with Romeo, a zombie and hilarity ensues. That only goes so far,” says Denmark. “We needed more or it was going to be a one gag show. For me R&J is a parable about how hatred consumes everything around it. However, it has also spawned a worship of hysterical juvenile love.

     For that reason, the play has a lot in common with 80′s teen romance films. So when we approached the script we were influenced by films like Valley Girl and Pretty in Pink. We expanded the character of Mercutio to create a love triangle and away we went. Everything flowed from there, including our answer to the problematic question everyone asks, if Romeo is already dead, how does he kill himself? The film is a romantic comedy, but you know, with zombies.”

   With this in mind, Denmark has aimed the film for a wide audience, “We want to be the perfect date movie. That’s not to say a chick-flick. This is the film a zombie lover can drag their significant other to and everyone will walk away happy.”

Romeo & Juliet vs. The Living Dead will premiere at the Edinburgh Film Festival on June 26th, 2009. It plays at 23:00 at Filmhouse 1. Director/writer Ryan Denmark will be in attendance along with writer Jason Witter, who also portrays the undead Romeo.

Learn to create ZOMBIES !!

Learn to create ZOMBIES !!

10th Annual Golden Trailer Award Winners

Golden Trailer Awards

10th Annual Golden Trailer Award Winners

Show Category Winners

Best Action

Fast and Furious, AV Squad, Universal

Best Animation/Family

WALL-E, Craig Murray Productions, The Walt Disney Studios

Best Comedy

Bruno, The Ant Farm, Universal Pictures

Best Documentary

Man on Wire, The Editpool, Icon Film Distribution

Best Drama

Frost/Nixon, Empire Design, Working Title Films

Best Horror

The Unborn, Buddha Jones, Rogue Pictures

Best Independent Trailer

The Wrestler, Mark Woollen & Associates, Fox Searchlight

Best Music

Where the Wild Things Are, The Ant Farm, Warner Bros.

Best Romance

500 Days of Summer, Mark Woollen & Associates, Fox Searchlight

Best Thriller

Angels & Demons, Trailer Park, Sony Pictures

Best Video Game Trailer

Star Wars: The Force Unleashed, Eyestorm Productions, Lucasarts

Best Voice Over

Tropic Thunder, Buddha Jones, DreamWorks

Golden Fleece

The Spirit, Seismic Productions, Lionsgate

Most Original

My Winnipeg, Kinetic Trailers, IFC Films

Summer 2009 Blockbuster

Star Trek, Aspect Ratio, Paramount Pictures

Trashiest Trailer

One Eyed Monster, The Refinery, Liberation Entertainment

Best In Show

Star Trek, Aspect Ratio, Paramount Pictures

goremaster.com

50 Best Websites for Moviemakers

MovieMaker.com

   The Internet offers moviemakers a unique opportunity for sharing their work with the world. But distribution is not the only way the Web can assist aspiring and seasoned auteurs alike. From pre-production through post, millions of Websites help today’s cinema artists further their careers. How can you separate the best from the rest? For starters, you can use our second annual roundup of the 50 Best Websites for Moviemakers.

Goremaster Books

AFCI.org

ArtfulWriter.com

ArtOfTheGuillotine.com

BigStar.tv

BlssResearch.com

DeadlineHollywoodDaily.com

DetonationFilms.com

DVcreators.net

DVXuser.com

EarthProtect.com

EntertainmentEarth.com

ExploreTalent.com

FightForIndependents.org

FilmmakersAlliance.org

Filmmaking.net

FiveSprockets.com

GreenCine.com

HollywoodOmniBook.com

iArtHouse.com

TheIncentivesOffice.com

IMDb.com

IndieProducer.net

IndyMogul.com

InkTip.com

JoBlo.com

JohnAugust.com

MagicRock.com

MakingOf.com

MicroFilmmaker.com

MovieMaker.com

MovieMarketingMadness.com

MovieRetriever.com

myProducer.tv

Openfilm.com

Pavaline.com

ProductionHUB.com

Reel-Exchange.com

ReelGrok.com

ReframeCollection.org

ScriptPIMP.com

ShootingPeople.org

SnagFilms.com

StoryLink.com

TakeZer0.com

TriggerStreet.com

TwistedTracks.com

WebFilmSchool.com

WebMovieNow.com

YOBI.tv

goremaster.com

 Page 5 of 10  « First  ... « 3  4  5  6  7 » ...  Last »